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Lustagooch/Ristigouche

River suitable for canoeing

Artists

Joane D (3) (2).jpg

Joane Dugas

Derek Letourneau.jpg

Derek Letourneau

Ristigouche

 

To get there, the Mi’kmaqs would have walked in the direction of the rising sun, from dawn to the twilight during 77 days. That is what determines their starting place.

 

They named the Ristigouche Bay, Gtan Nemetjoie. This meant water full of fish.

 

And the region Papisi genatg, place to celebrate and of gathering in peacetime.

 

From their capital, Tchigouk (Atholville), they ruled over the groups of Miscou, Pokemouche, Nipisiguit, Miramichi and Percé.

 

Father Pacifique says that Ristigouche would have been given to the whole region, by a Mi’kmaq chief, who, defying the authority of his father would have given the signal to wipe out a group of Iroquoians by screaming : «listo gotj» meaning: disobey to your father.

 

This place still means a hand with five fingers, of which Ristigouche would be the thumb since four rivers are feeding it. 

 

And according to a legend, God would have created the Man at the mouth of the Ristigouche, then would have given Gaspésie as a gift to the newborn.

 

Listu guj: Ula wegewas’g’p tan Hiatew ugjet Pilei Wanjuagine tujiw 1760. Ristigouche: It is here that the fate of New France was sealed in 1760.

 

With the naval battle of the Ristigouche.

 

Where the Marquis de Malauze fired his last red cannonballs.

 

But Lévis in Montreal had burned his flags, New France didn’t exist anymore.

 

However, the French banner was still flying on the mast of the Acadians pirates in mid-July 1760, near the end of the second hand of the moon when the birds lose their feathers.

 

Ristigouche, place of memory with, close by, the hamlet of the Petite Rochelle, the island cemetery guarded by impressive herons and the fossil treasures at the Pointe Miguasha.

 

Ristigouche, kingdom of the salmon who wriggles.

 

Where the American presidents tease the king of the river.

 

As for the others, heroine and to the obscure heroes worn out by the labour and proof of our survival, their history is not made yet.

 

We should commemorate with a feast between September 19th, day of the moon when the deer is looking for his roe and the beginning of October, mating season for the moose.

 

Mythical rivers, tourist jewel with Pain de Sucre and fiddleheads, warm bay, bluish mountains of the Gaspésie.

 

Don’t tell anyone!

Joane D (3) (2).jpg

Joane Dugas

Joane-Dugas-oeuvre.JPEG

Caraquet, N.B.

Joane Dugas is a native of Caraquet, New Brunswick. She has been the Executive Director of the Atlantic Visual Arts Festival (FAVA) for 26 years. During a stay in Montreal, a little over twenty years ago, she attended a course in clay sculpture with Robert Fortier. This training course will influence her creative projects and will rise to a series of sculpture workshops that she will then lead in different places, notably in schools.

 

Joane Dugas has had her first solo exhibition Murmure de terre as well as several group exhibitions and has participated in various visual arts events. She participated in the group exhibition Tropisme at the Place du Vieux Couvent in Caraquet.

 

The work Aux sources de la vie that she created for the exhibition Irréductibles Racines deals with the Mi'kmaq origin of the name "Restigouche".

 

The work is a diptych that includes a painting and a clay sculpture. The sculpture, a terracotta figure with the figure of a woman, unfolds in front of a canvas where another figure, of an incandescent red, radiates, a mysterious call of a near and distant future.

Joane Dugas
Derek Letourneau.jpg
Derek-Letourneau-oeuvre.JPEG

Derek Letourneau

First Nation
Big Cove, N.B.

Derek Letourneau is originally from Big Cove First Nation in New Brunswick. Inspired by his father's creations, he began carving small wooden objects in his early teens. 

 

His work consists of discovering what is hidden inside the piece of wood he is about to carve and to bring out, through the form he is carving, the spirit of what is inside. This way of carving is a heritage that comes from his Mi'kmaq culture.

 

His work is in private collections throughout North America.

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The work he created for the exhibition Irreducibles racines is inspired by the Mi'kmaq origin of the name "Ristigouche".

Derek Letourneau
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